The Play in the System: The Art of Parasitical Resistance. Forthcoming, Duke UP, 2020.
Co-editor with Wendy Hui Kyong Chun (with Thomas Keenan), New Media, Old Media: A History and Theory Reader, 2nd edition. Routledge, 2015.
“User Be Used: Leveraging the Play in the System” Discourse. Vol. 36.3. USC and Wayne State Press. 2014.
“Manic Impositions: The Parasitical Art of Chris Kraus and Sophie Calle,” Women’s Studies Quarterly, Special Issue: "Viral," Guest edited by Patricia Ticiento Clough and Jasbir Puar. The Feminist Press at CUNY. Spring/Summer 2012.
“Like a Girl’s Name: The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, & Ann Liv Young,” TDR/The Drama Review). NYU and M. I. T. Press. Spring 2012.
“We Are Parasites: On the Politics of Imposition,” Artforum and e-flux journal’s Art&Education. July 2011.
“Parasitical Politics and Epistolary Games: The Art of Chris Kraus and Sophie Calle,” [“Politique parasitaire et jeux épistolaires : les jeux d’adresse de Chris Kraus et de Sophie Calle”], Le Texte étranger Vol. 8, January 2011.
“Archaeology of Multi-Media,” “Archives,” “Power-Code,” “Network-Events,” “Use,” “Desiring Data,” and “Re-newing Media” (Section introductions), New Media, Old Media: A History and Theory Reader, 2nd edition. eds. Wendy Hui Kyong Chun and Anna Watkins Fisher (with Thomas Keenan), Routledge, 2015.
“We Love This Trainwreck!: Sacrificing Britney to Save America,” In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity, editors Diane Negra and Su Holmes. Continuum. March 2011 (Nominated for SCMS Best Essay in Edited Collection).
“User Be Used: Leveraging the Play in the System,” Reprinted in Scholar & Feminist Online, Special Double Issue “Traversing Technology,” Summer/Fall 2016.
“User Be Used: Leveraging the Play in the System,” Reprinted in New Media, Old Media: A History and Theory Reader, eds. Wendy Hui Kyong Chun and Anna Watkins Fisher (with Thomas Keenan). Routledge, 2015.
"A Savage Mind: Camille Henrot's Primitive Thinking," Reproduced by the Yerba Buena Center for the Arts. The Way Things Go (Curated by Rirkit Tiravanija). April 2015.
"Atop the Digital Rubble," E-Waste: Katherine Behar, Tuska Center for Contemporary Art (University of Kentucky), Eyedrum Art and Music Gallery (Atlanta, GA), and Boston Cyberarts Gallery (Boston, MA) (curated by Dima Strakovsky), October 2014 (reprinted 2015).
“A Savage Mind: Camille Henrot’s Primitive Thinking,” [“A Savage Mind: Les Pensées Sauvages de Camille Henrot”] Camille Henrot (monograph), Kamel Mennour Gallery. Les Presses du Réel. Translated into French by Michel Pencréach. July 2013. Commissioned by Galerie Kamel Mennour, (Artist awarded the Silver Lion at the 2013 Venice Biennale).
"Part-time Feminist: Lauren Barri Holstein in Conversation with Anna Watkins Fisher" (with critical introduction "The Strategic Ambivalence of Lauren Barri Holstein"), The Moving Image Review & Art Journal (MIRAJ), 4.1/4.2 Special Double Issue: "Feminisms," Co-edited by Maria Walsh and Catherine Elwes. Intellect Journals. Spring 2016.
Review of Peggy Phelan’s Live Art in LA: Performance in Southern California, 1970-1983, Modern Drama, 56.3. University of Toronto Press. Fall 2013.
Review of Kathryn Bond Stockton’s Queer Child, or Growing Sideways in the Twentieth Century, Women and Performance: A Journal of Feminist Theory. Routledge. July 2010.